Drawing cues from industrial, new wave, black metal, noise, screamo, punk, post-punk, and more, this deep, dark look into Seb’s subconscious and it’s subsequent artistic representation is truly a work of art. From the hellish, eerie, almost gothic-sounding intro of “[promised end]“ it becomes obvious that this album is meant to be consumed in full, with spiking adrenaline surges (see “I’d Never Feel Like Anything” and “Fault”), soothing/groovy vibes (“Traffic Stop” and “Black Light On 16th Street“), uncomfortable noise (“Vanity’s Sake“ and “Parasite“) and the epic genre-mashes (“Blossoming Winter” and “Field of Warmth“).
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